The Muse in Music | Strategic Orchestra Programming -- Matthew Kraemer on Creative Programming for Diverse Audiences in New Orleans and Indianapolis

By, Dan Perttu

In this episode, I talk with Matthew Kraemer, Music Director of the Louisiana Philharmonic Orchestra and the Indianapolis Chamber Orchestra, about how he leads the programming of music for these two very different orchestras in unique communities. In Louisiana, he blends local talent from many different genres, and in Indianapolis, he pushes the boundaries with innovative new music. Please join us as we talk about the artistic priorities that Matthew manages as he works through his programming puzzles for his orchestras.

The Muse in Music -- Nic McGegan on his Long, Distinguished, and Eclectic Career as a Conductor

By, Dan Perttu

Please join me as I talk with conductor Nicholas McGegan about his long, celebrated career.  From his early days at Cambridge University through his transition to the United States, Maestro McGegan’s career has taken interesting and surprising turns.  While he has spent a lot of his career conducting Baroque music, he also regularly conducts music from the Classical and Romantic Eras, and has also presented works of contemporary music.  In this episode, we talk about the fascinating development of his career and various influential musicians he has known, from Benjamin Britten to Christopher Hogwood and Roger Norrington.  Please join us!

Photo by Dario Acosta

The Muse in Music -- Thomas Morris on his New Book - Always the Music: How a Lifelong Passion Framed a Future for Orchestras

By, Dan Perttu

Please join me as I talk with Thomas Morris, former chief executive leader of The Cleveland Orchestra and Boston Symphony and current Artistic Director of the Ojai Music Festival, about his new book, Always the Music: How a Lifelong Passion Framed a Future for Orchestras.  We talk about challenges facing major orchestra institutions today and how “leading with the music” can ensure their long-term success; the essence of visionary leadership; and how music institutions can balance creativity with inevitable bureaucratization.